Propellerhead Reason's Secret FX

Reason’s Hidden Effect

Did you know that there are extra sound effects processors hidden in the nooks and crannies of Propellerhead’s Reason software?

For example, on the Kong, there are a series of unique effects (transient shaper, ring modulator, rattler, and more) that appear like they can only be used within the Kong. But actually, you can route any instrument through a Kong to take advantage of the effects!

Or that you can use the Pulveriser and tremolo or a compressor? Or that The Echo makes a damn good overdrive?

Watch the video below to see a selection of some of the best hidden and non-traditional effects nestled within Reason (affiliate link). The secret to unlocking all of these awesome effects loaded into Reason revolves around its creative routing options.

See how to unlock all of Reason’s secret sound FX!

Here’s a whole other group of suggested effects in Reason to play with once you get bored of what’s in the video! These were suggested by Loque (Soundcloud link).

The Echo
* Limiter, Overdrive, Tube and so on
* Frequency (pitch) Modulation
* Auto-Bending

The Pulverizer:
* Has a FM and AM input on the backside ^^

* Wave-Shaper
* And some kind of stereo spread (not the best, but yea, it is there…)
* Comb Filters
* AM

* chorus and delay are really good
* The filters including comb and Formant
* Bunch of audio modulation…

And a few others:
* Alligator as a band splitter
* Often ppl forget how many modes the Scream4 has including a LoFi and RM which sound very good
* Neptune as a pitch shifter
* Radical Pianos resonator
* BV512 as a frequency shifter (ok, sounds quite bad, but its there and make some happy accidents…)
* Neptunes pitch shifter (yea, well, same as BV512 

* All the many RV7000MKII reverb, delay, spring, convolution,… modes. Such a little device with so much power inside. Happy accidents with the spring reverb and modulation…

Free Reason Mini Refill 1

Reason 10.3 Free Sample Pack

You can watch my full review of Reason 10.3 below. But the bottom line is that I saw a 130% performance boost using VSTs in Reason 10.3. I also got a 35% boost with regular rack extensions. No other new features were added to 10.3, but I'm just happy with the speed. 

Thanks for being such a fan! Here's a free mini-refill for you to show my appreciation. This Refill should work on all versions of Reason after 5.0.

It includes 3 combinator synth patches - an 808, and evil lead, and a sweet pad. And some samples/loops to mess with. 

Hope you enjoy!

Spitfire Audio Studio Brass Pro Review

Spitfire Studio Brass Review and Demo

Today we’ll review Spitfire Audio’s incredible new Studio Brass Pro package. This brass collection is one of the most lifelike, usable brass vsts I’ve used. You can clearly hear how all the articulations of a wide range of brass instruments, played through a range of microphones, can sound so present.

Spitfire Studio Brass Playability

But what I love about this VST is not just how good it sounds – it’s how playable it is. Once you start using it, you’ll see how the instruments are setup in a way to be played naturally. If you just use your ears, they’ll tell you which ranges to play them in, which articulation would sound best, and how to control their dynamics. It’s a very organic process, and helps you feel really connected to the process of writing brass.

What’s Included

Spitfire Studio Brass Pro is loaded full of instruments and articulations that can take you anywhere from mellow, moving slow lines to powerful action orchestras. And because it was recorded in a relatively dead-sounding studio, it plays well with other virtual instruments or reverbs.

And each sound was recorded by 6 different microphones, from close to ambient, allowing you to dial in your perfect tone, easily.

The following instruments are part of the pack:

  • Horn Solo 1
  • Horn Solo 2
  • Horns a4
  • Piccolo Trumpet
  • Trumpet Solo 1
  • Trumpet Solo 2
  • Trumpets a2
  • Bass Trumpet
  • Tenor Trombone Solo
  • Tenor Trombones a2
  • Bass Trombone Solo
  • Bass Trombones a2
  • Contrabass Trombone
  • Tuba
  • Contrabass Tuba
  • Cimbasso
  • Euphonium

Before I continue my review of Spitfire’s Studio Brass Pro, though, I should caution you that this is an orchestral brass library! If you’re looking for a pop or rock brass library, you’re going to be really disappointed.

Does Spitfire Studio Brass Sound Good?

Yea, it sounds real good. Really really good. Often with virtual horns, I find that most of the samples sound a bit fake and cheesy, and libraries really lend themselves to only a few usable bits that need to be blended into the background.

But Spitfire’s Studio Brass sounds alive and moving throughout almost its entire range. There are certainly a few notes (usually on the higher end) scatter through that just don’t pass the smell test. But I’d nonetheless challenge you to not be able to use this to create a great sounding score.

Just listen to these demos I put together!


Spitfire Audio’s Studio Brass Pro uses the typical Spitfire Audio interface common to most of their plugins. It’s fast, clean, and easy. Yet generally powerful enough to get the job done. I really enjoy the fact that I don’t have to learn a new interface with each new Spitfire product.

My only real gripe (and I’ve said this before), is with the ostinatum. I don’t think it works that well, and it loses its pattern when you change patches. You’re better off using your DAW’s sequencer instead.

Spitfire Studio Bras Pro Review – In Conclusion

If you’re looking for orchestral brass, I think you’ll be really pleased with this. It’s good enough that I feel like my search for a brass pack is over. It sounds great, is fun to use, and includes all the sounds I need. I’d highly recommend it.

Note: this review is based on a free review copy I received from Spitfire.

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